The Mops – Iijanaika
A Hard/Heavy Psychedelic rock band from Japan. Most of the songs are sung in English. Band's early stuff was more of a Psychedelic pop, this album was a great change. A bunch of people like me dig bands that came out of Japan, so here you go!
Album information:
01 - Iijanaika
02 - Town Where I Was Born
03 - Good Morning, Good Afternoon, Good Night
04 - Nobody Cares
05 - Traces Of Love
06 - To My Sons
07 - No One Knows What They Were
08 - Alone
09 - Untitled
Band information:
The Mops were formed in 1966 by a group of high schoolers: Mikiharu Suzuki (drums), Taro Miyuki (guitar), Masaru Hoshi (or Katu Hoshi) (guitar), and Kaoru Murakami (bass). They began as an instrumental rock group similar to The Ventures, but soon after forming, Mikiharu Suzuki's brother Hiromitsu joined on lead vocals. The group began to play psychedelic rock at the suggestion of their manager, who had brought home recordings of American hippie groups such as Jefferson Airplane from his trip to San Francisco. The group signed toJVC Records, the Japanese wing of Victor Records, and released a single in November 1967 called "Asamade Matenai", which hit No. 38 on the Japanese charts. In April 1968, the full-length debut, Psychedelic Sound in Japan, followed; the album included covers of "White Rabbit" and "Somebody to Love" by Jefferson Airplane, "Light My Fire" by The Doors, as well as "Inside-Looking Out" and "San Franciscan Nights" by The Animals. They received much press for being the "first psychedelic band" in Japan, and performed with elaborate light shows.
Bassist Murakami quit the group in 1969, and guitarist Miyuki moved to bass. The group then signed with Liberty/Toshiba/EMI, moving to a blues rock and Hard Rock sound, and followed with the hits "Tadorituitara Itumo Amefuri" "Gekko Kamen (Moonlight Mask)" and "Goiken Muyo (No Excuse)", both of which charted in 1971. Several albums followed before the group's breakup in May 1974.
After The Mops, Hoshi remained in the music industry, working as an arranger. Hiromitsu Suzuki became a TV personality and actor, and Mikiharu Suzuki embarked on a successful career in artist management. The group achieved a resurgence of cult fandom in America after their "theme song", entitled "I'm Just A Mops", was included on the 1960s rarities compilation Nuggets II.
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