Showing posts with label experimental. Show all posts
Showing posts with label experimental. Show all posts

Thursday, September 4, 2014

Aorta - Selftitled (1968)


Aorta - Aorta

Okay, Aorta is original and this album is weird. Should I call this experimental psychedelic rock after all? I have included an extra song (cover of Max Frost and The Troopers) in the album. I hope you'll like the album, I believe it's a hit-or-miss kind of a thing. Go on and have a listen!


Album information:

01 - Main Vein
02 - Heart Attack
03 - What's In My Mind's Eye
04 - Magic Bed
05 - Main Vein II
06 - Sleep Tight
07 - Catalyptic
08 - Main Vein III
09 - Sprinkle Road To Cork Street
10 - Ode To Missy Mxyzosptlk
11 - Strange (Single version)
12 - Strange
13 - A Thousand Thoughts
14 - Thoughts & Feelings-Main Vein IV
15 - Shape Of Things To Come

Band information:



The band developed from a soul, pop and rock'n'roll group who had originally formed in Rockford, Illinois in 1962 as Kal David and the Exceptions. Its members were Kal David (b. David Raskin - vocals and guitar), Peter Cetera (bass, vocals), Denny Ebert (drums, vocals), and Marty Grebb (saxophone, keyboards, guitar, vocals). David left in 1965, to join The Rovin' Kind, later to become Illinois Speed Press, and was replaced by James Vincent (b. James Vincent Dondelinger, 8 February 1943, in Chicago; later known as Jim Donlinger). The band was then known as The Exceptions. They released several singles on local labels, and an EP, Rock and Roll Mass, on the Flair label, before Grebb left to join The Buckinghams, being replaced by Jim Nyeholt. Ebert also left to be replaced by Billy Herman. As The Exception, Vincent (Donlinger), Cetera, Nyeholt and Herman recorded several singles for Capitol Records, but Cetera left when the other members expressed a desire to perform more psychedelic material. Cetera joined The Big Thing, who became Chicago Transit Authority and then Chicago.

After recruiting Bobby Jones as the new bass player, the group changed their name to Aorta in 1967, for a short period also adding Dan Hoagland (born Daniel Hoogland) on tenor sax. With Jim Donlinger on lead vocals, the band recorded a single, "The Shape Of Things To Come", a song written by Barry Mann and Cynthia Weil and included on the soundtrack to the movie Wild in the Streets by the fictional group Max Frost and the Troopers. Aorta signed to Dunwich Productions, a company formed by Bill Traut, and the single was leased for release on Atlantic Records. Under Traut's management, the band were then signed to Columbia Records to record an album. Their first LP was produced by Traut and Donlinger. Entitled Aorta, it was issued in early 1969, as part of a drive by Columbia to promote "the Chicago sound" - the company simultaneously released albums by Chicago, Illinois Speed Press, and The Flock - and reached No. 167 on the Billboard album chart. The album has been described as a "startling record which was a mix of psychedelia, soul, jazz, folk, and rock... housed in a beautiful, graphic sleeve that has always overshadowed the great music from within.... Aorta is solid throughout, featuring strong musicianship, inventive studio wizardry, superb songs with a healthy dose of fuzz guitar and wonderful string and horn arrangements." Neither the album nor the single "Strange" (a track written by Hoagland before he left the band)c/w "Ode to Missy Mxyzosptlk" achieved significant sales. The group toured in support of bands such as Led Zeppelin, Janis Joplin and The Mothers of Invention, and were given a major showcase opportunity to impress music industry leaders at the Fillmore East in New York. However, according to Donlinger, the band were offered LSD by another musician before the show, resulting in them giving what was described as a "train wreck" of a performance.

Jones and Herman then left, and Donlinger and Nyeholt, together with Donlinger's drummer brother Tom, temporarily joined the Rotary Connection. However, they then decided to reform Aorta, with the Donlinger brothers and Nyeholt adding Michael Been on bass, guitar and vocals. The band recorded a second album, Aorta 2, in a radically different style, leaning more towards country rock with Christian overtones. They finally split up shortly after its release on the Happy Tiger label in early 1970. Jim Donlinger and Michael Been, together with former Exceptions member Marty Grebb, then joined the band Lovecraft (previously H. P. Lovecraft). Been later formed The Call.

The original Aorta later re-formed to do promotional spots for the U.S. Armed Forces. Their first album, Aorta, was reissued on CD in 1996.

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Wednesday, September 3, 2014

Aardvark - Selftitled (1970)


Aardvark - Aardvark

Heavy psychedelia or Progressive rock? It was hard for me to find this album, until then I only had one of their songs to listen to, titled "Copper Sunset". It's a very nice tune if you are interested in heavier sound. There are other great songs in this album, don't miss this one! Fun fact: They did not use a guitar in their songs.


Album information:

01.Copper Sunset
02.Very Nice Of You To Call
03.Many Things To Do
04.The Greencap
05.I Can't Stop
06.The Outing-Yes
07.Once Upon A Hill
08.Put That In Your Pipe And Smoke It

Band information:

Originally, they became known mainly because Paul Kossof and Simon Kirke played in the band before leaving to form legendary band FREE. From then on, AARDVARK were mostly a studio act and by the time they recorded their only album, the line-up consisted of Stan Aldous (bass), Frank Clark (drums), Steve Milliner (keyboards, recorder, vibraphone) and Dave Skillin (vocals). Comparisons are not easy but one could probably say their music has the power of EMERSON, LAKE & POWELL mixed in with a little R&B à la PROCOL HARUM and early MOODY BLUES. Shades of GRYPHON, GREENSLADE and PINK FLOYD are also present.

As is to be expected, AARDVARK's material is highly keyboard oriented, the brunt of the music being carried by the fuzzed-up Hammond organ which more or less simulates the job of a distorted guitar. The soaring vocals by Skillin are pleasant and the music, although not highly original and somewhat lacking in variety, is quite melodic - nice 60's sounding melodies. The album contains some ear-friendly piano/keyboard interplay as well as some good R&B guitar riffs and harmonic choruses. The low points: following the fashion of the early 70's, many tracks drag on far too long. Also, possibly because the dominant Hammond did not stand the test of time, the album unfortunately sounds quite outdated. Finally, the cuts that work best tend to be the less progressive ones. Overall, AARDVARK is an honest musical effort for the times, an interesting early art rock experiment with a slight progressive edge.

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